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10 November 2008
LONDON BRIDGE ENSEMBLE
BENJAMIN NABARRO violin, TOM DUNN viola, KATE GOULD cello, GRAHAM MITCHELL double bass, DANIEL TONG piano
Since making its Wigmore Hall debut in 2005, the London Bridge Ensemble has rapidly
established itself as one of Britain’s most exciting and brilliant chamber groups. The Ensemble’s engagements since then have included St John’s Smith Square, the City of London Festival, Wye Valley Chamber Music
Festival, St George’s Bristol, Leicester International Music Festival’s lunchtime series, St David’s Hall Cardiff, Sheffield Music in the Round, the Kerry Chamber Music Festival, and a return visit to the Wigmore
Hall. This spring, the Ensemble presents a brand new festival in Winchester, the home town of its cellist, Kate Gould, and future engagements include Bridgewater Hall for the Manchester Mid-day Concerts
Society . A CD of works by Frank Bridge, was released in spring 2008 as part of the Epoch series for the Dutton label. The name of the group reflects an admiration for this great English composer, whose music has
from the outset formed an important part of its repertoire. The name is also an affectionate homage to the bridge and station in London!
Programme
Frank Bridge Phantasy Piano Quartet
Vaughan Williams Piano Quintet
Schubert Quintet in A major Trout
The Bridge
piece is an early work dating from 1910 and, like many English works of the period, followed on old ‘fantasy’ form of the 17th century. It is an impassioned and delightful work for of luscious melodies. The
Vaughan Williams
Quintet is a rarity indeed and lovers of English music should take the opportunity of catching a live performance of this intriguing work. Composed in 1903 when RVW was starting to make a name for himself, it remained unpublished until quite recently.
Schubert’s Trout Quintet is, of course, one the glories of chamber music and without a doubt one of the most popular works in the classical repertoire.
Reviews
“The ensemble performed with a supreme sympathy for each other, which the audience by now had become accustomed to. There was a sense
of unity and common purpose in their performance, which is the ideal of chamber music realised at its best. It was a divine evening of music making.” Music & Vision 2007
“There was often a fierce intensity about the music making, but also the simple joy that chamber music engenders. This was indeed the
music of friends.” Musical Opinion 2007
“ . . . sounds of unfailing beauty and warmth.” The Strad, 2005
This concert is supported by The Frank Bridge Bequest
For more information visit www.lbe.org.uk
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